Mid February, and it’s beginning to feel a lot like freedom here in merry England. The majority of Covid restrictions have been lifted, the remainder set to be removed next week, ie mask-wearing on public transport and in shops. There is a relaxed atmosphere creeping back in and my diary is slowing but surely filling up again.
February has so far been far busier for me than anticipated, a whirlwind two weeks that seems set to continue. It started with a portrait painting demo by a visiting professional artist at my art club, followed by him giving an all-day workshop a week later. The majority of us were disappointed in what he presented, the 2 hour-demo more talking than painting, and his workshop for various reasons was cancelled. As the club had already booked and paid for the room hire, the club secretary asked if I would step in and run an acrylic workshop instead, to which I agreed.
Not having run an all-day course before and at such short notice, I had little prepared, no notes or handouts ready, nor any idea what subject matter to cover (nothing like diving in at the deep end!). As I don’t paint people or portraits, and not knowing the capabilities or skills of most of the attendees, I asked them what they would like me to do. Trees or a woodland scene or bluebells or snowdrops came several replies. Sorted! Confident and comfortable with bluebells woods, I quickly painted this lttle scene to use. I would demonstrate a section, they paint it, I do another part, they paint it etc – you get the gist.
Despite my inadequacies painting whilst standing at an easel with 14 pairs of enthusiastic and eager-to-learn eyes watching every move, I managed to enjoy the day, as did they. The workshop was fun and lively, exhausting but worth it, and some good work produced. Even I learned a few things. When we’d finished everyone asked if I were doing any more workshops, all ending with a heart-pleading “please”. I’d obviously got something right. And thus, the next workshop has already been booked for late March, with all my attendees saying yes within a few hours of my notifying them of the date (except one who will be on holiday).
And what did I learn? That, during the lead-up to the next workshop I need to be totally prepared and organized and, more to the point, practice painting stood at the easel, something I am not used, I always sit when painting. I also discovered I enjoy teaching it, and like painting, never knew I had it in me until now. It comes down to confidence, something I never had even as a child. But unless I’m careful, the art could easily take over my life. I must pace and organize myself in order that my writing, my real passion, doesn’t get left on the shelf. I have a novel to get out, others to write, so have planned my schedule: Work on my novel early mornings (I’m usually up at 5am) until 7-ish. Breakfast, housework etc until 10:30, 11am latest. More writing until lunch. Afternoons devoted to art (and the occasional nap) plus work on the website I’m creating for the art group. Evenings: back to the novel, sprints more important than ever! So far, I am keeping to that regime, then again it has only been 3 days.
I mentioned my March diary filling up: Several medical appointments; meeting friends for coffee one morning; hairdresser appointment; kitchen hunting–yes we are back on that trail as was put on hold because of you-know-what; garden needing attention, which also means several garden centre visits; the workshop to run; a girlie weekend celebrating mother’s 96th birthday. And, hopefully, one or two long lunches with writing friends I have so missed to pencil in.
Yes, life in Blighty is slowly but surely and with care returning to normal. Thank goodness.